Тлумачэнне

Лоўрэнс Альма-Тадэма: Phidias Showing the Frieze of the Parthenon to his Friends
Мастак	Лоўрэнс Альма-Тадэма  (1836–1912)      Іншыя імёны Lawrence Alma Tadema, Lourens Alma Tadema, Laurens Alma Tadema Апісанне Нідэрландскі-Брытанскі painter, drawer, etcher і illustrator Дата народзінаў/смерці 8 студзеня 1836  25 чэрвеня 1912  Месца народзінаў/смерці Dronryp Вісбадэн Гады творчасці 1851-1912 Месца творчасці Антверпен (1852-1865), Леўвардэн (1855), Кёльн (1861), Пампеі (1863-1864), Парыж (1864), Брусель (1865-1870), Лондан (1868, 1870-1912), Egypt (1902-1903) Нарматыўны кантроль : Q240526 VIAF: 68986036 ISNI: 0000000081483905 ULAN: 500008100 Open Library: OL5558878A DBNL: alma001 WorldCat creator QS:P170,Q240526
Назва	англійская: Pheidias and the Frieze of the Parthenon  title QS:P1476,en:"Pheidias and the Frieze of the Parthenon " label QS:Len,"Pheidias and the Frieze of the Parthenon " label QS:Lfr,"Phidias montrant la frise du Parthénon à un ami" label QS:Lla,"Phidias protypos Parthenonis amicis suis monstrans"
Object type	карціна
Жанр	гістарычны жывапіс
Depicted people	Фідый
Дата	1868
Тэхніка	oil on canvas
Памеры	Вышыня: 72 см ; шырыня: 110,5 см  dimensions QS:P2048,+72U174728 dimensions QS:P2049,+110.5U174728
Калекцыя	Birmingham Museums Trust    Location Бірмінгем , Вялікабрытанія Coordinates 52° 28′ 48,18″ N, 1° 54′ 12,87″ W   Сайт www.birminghammuseums.org.uk  Нарматыўны кантроль : Q4916759 VIAF: 316390754 LCCN: nb2015009910 WorldCat institution QS:P195,Q4916759
Бягучае месцазнаходжанне	Birmingham Museums Trust
Асабісты нумар	1923P118 (Birmingham Museums Trust)
Нататкі	English: Painting shows at left the North frieze slab XLVII and the West frieze Slabs I and up visible at right in the Parthenon.[1] Among the spectators, critics have identified Pericles, the bearded man facing Phidias. Next to him is his mistress, Aspasia. In the foreground stands a youth, Alcibiades, with his lover, Socrates.[2][3][4] The painting is currently housed (2021) in the Birmingham Museum and Art Gallery.
Крыніцы	https://www.birminghammuseums.org.uk/explore-art/items/1923P118/pheidias-and-the-frieze-of-the-parthenon  Art UK artwork ID: pheidias-and-the-frieze-of-the-parthenon-33742
Крыніца/Фатограф	Birmingham Museums
Іншыя версіі	This file has an extracted image: 1868 Lawrence Alma-Tadema - Phidias Showing the Frieze of the Parthenon to his Friends (cropped).jpg. Detail, Socrates and Alcibiades

Ліцэнзіяванне

This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason: Public domainPublic domainfalsefalse This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer. This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929. Гэты файл быў ідэнтыфікаваны як вольны ад вядомых абмежаванняў, згодна з законам аб аўтарскім праве, а таксама ад усіх сумежных правоў. https://creativecommons.org/publicdomain/mark/1.0/PDMCreative Commons Public Domain Mark 1.0falsefalse The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain". This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.

References

1. ↑ See Parthenon Frieze Slabs at [1] Last accessed 07-Apr-2007
2. ↑ "[S]undry prominent Athenians, including Perikles with Aspasia, and Socrates with young Alcibiades, perambulate the scaffolding . . ." Nigel Spivey, Understanding Greek Sculpture, p.152
3. ↑ "he introduces us to Phidias showing the frieze of the Parthenon to Pericles, Alcibiades, and Aspasia;" in SCRIBNERS MAGAZINE, DECEMBER 1895, LAURENS ALMA-TADEMA, R.A. By Cosmo Monkhouse; p.670 Photo of page in the Cornell Library
4. ↑ "Little is actually known of the life of Phidias, but Alma-Tadema's picture easily convinces us that thus the great sculptor displayed to his friends and patrons his completed handiwork. Phidias himself, standing within the rope barrier, seems to await the favorable verdict of his illustrious protector, Pericles, who confronts him and has at his side the beautiful Aspasia. The young man at the extreme left seems meant for Alcibiades, who has also accepted an invitation to this private view of the frieze of the Parthenon, seen not as we now behold it in the British Museum, but with its match-less figures glowing with the tints just laid upon it by Phidias and his fellow-workers." in Among the Great Masters of Painting: Scenes in the Lives of Famous Painters; Walter Rowlands p.2

Socrates

Alcibiades

Pericles

Aspasia