Файл:Lastman orestes.jpg
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Тлумачэнне
Пітэр Ластман: Orestes and Pylades Disputing at the Altar
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Мастак |
artist QS:P170,Q352864 |
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Назва |
Orestes and Pylades Disputing at the Altar. |
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Object type |
карціна ![]() |
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Жанр |
міфалагічны жывапіс ![]() |
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Дата |
1614 date QS:P571,+1614-00-00T00:00:00Z/9 |
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Тэхніка |
Алей па дрэву medium QS:P186,Q296955;P186,Q106857709,P518,Q861259 |
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Памеры |
Вышыня: 83,2 см; шырыня: 126,1 см dimensions QS:P2048,83.2U174728 dimensions QS:P2049,126.1U174728 |
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Захоўваецца ў калекцыі ў |
institution QS:P195,Q190804 |
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Асабісты нумар |
SK-A-2354 |
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Гісторыя аб’екту |
by 1908 date QS:P,+1908-00-00T00:00:00Z/7,P1326,+1908-00-00T00:00:00Z/9 (?): F. Gerstel (art dealer)сакавік 1908: purchased by the Дзяржаўны музей, Амстэрдам, Amsterdam |
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Exhibition history |
Pieter Lastman. Leermeester van Rembrandt/The man who taught Rembrandt, 7 снежня 1991–16 лютага 1992, Museum Het Rembrandthuis, Амстэрдам, кат. : ISBN 90-663-0316-6, кат. no. 7. |
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Радок звестак аб набыцці | Purchased by the Rijksmuseum Amsterdam with support of the Vereniging Rembrandt | ||||||||||||||||||||||||||
Надпісы |
Подпіс і дата : Pietro Lastman fecit 1614
on the altar |
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Крыніцы |
Rijksmuseum Amsterdam online catalogue, as De offerstrijd tussen Orestes en Pylades, Вышыня: 83,2 см; шырыня: 126,1 см dimensions QS:P2048,83.2U174728 dimensions QS:P2049,126.1U174728 .Rijksmuseum Amsterdam Webspecial, as Orestes and Pylades Disputing at the Altar, Вышыня: 83 см; шырыня: 126 см dimensions QS:P2048,83U174728 dimensions QS:P2049,126U174728 .RKDimages, Art-work number 1316, as Orestes and Pylades disputing at the altar, Вышыня: 83,2 см; шырыня: 126,1 см dimensions QS:P2048,83.2U174728 dimensions QS:P2049,126.1U174728
Vereniging Rembrandt, as De offerstrijd tussen Orestes en Pylades, Вышыня: 83,2 см; шырыня: 126,1 смdimensions QS:P2048,83.2U174728 dimensions QS:P2049,126.1U174728 .Bildindex der Kunst und Architektur, object 20016746, as Orestes und Pylades vor dem Opferaltar, Вышыня: 83 см; шырыня: 126 см dimensions QS:P2048,83U174728 dimensions QS:P2049,126U174728 Web Gallery of Art, as Orestes and Pylades Disputing at the Altar, Вышыня: 83 см; шырыня: 126 см dimensions QS:P2048,83U174728 dimensions QS:P2049,126U174728 . |
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Крыніца/Фатограф |
Web Gallery of Art: ![]() ![]() reference_wga QS:P973,"http://www.wga.hu/html/l/lastman/orestes.html" |
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Іншыя версіі |
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Ліцэнзіяванне
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
Назвы
Элементы, адлюстраваныя на гэтым файле
адлюстроўвае
digital representation of англійская
Orestes and Pylades Disputing at the Altar англійская
Гісторыя файла
Націснуць на даце з часам, каб паказаць файл, якім ён тады быў.
Дата і час | Драбніца | Памеры | Удзельнік | Тлумачэнне | |
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актуальн. | 19:53, 30 сакавіка 2008 | ![]() | 1 180 × 770 (176 KB) | Shakko | {{Information |Description=Orestes and Pylades Disputing at the Altar |Source=http://www.wga.hu/frames-e.html?/html/l/lastman/orestes.html |Date=1614 |Author=Pieter Pietersz. Lastman |Permission= |other_versions= }} Category:Pieter Pietersz. Lastman |
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Метаданыя
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Заўвага JPEG-файла | LASTMAN, Pieter Pietersz.
(b. 1583, Amsterdam, d. 1633, Amsterdam) Orestes and Pylades Disputing at the Altar 1614 Oil on panel, 83 x 126 cm Rijksmuseum, Amsterdam The paintings Lastman made shortly after his return from Italy to Amsterdam in 1607 effectively use landscape to help set a mood. They show the profound influence of Elsheimer. Around 1610 he also began to make history pictures with the landscape subordinated to many figures, a type of painting that became his speciality. At first his crowds were scattered,and it is sometimes difficult to distinguish protagonists from secondary figures; but by the end of the decade he was able to use a crowd to enhance the dramatic action of a story. In this painting Lastman made a definite distinction between the brightly illuminated figures in the foreground, the dimly lit figures in the middle distance and the blue-grey illumination of the group in the background. Most of the light falls on the protagonists, Orestes and Pylades, standing to the left of the altar, discussing which of them will have to sacrifice himself. Here Pieter Lastman portrayed the crucial moment in a classic drama. The Greek writer Euripides (c. 4871-406 BC) described how Orestes, son of the hero Agamemnon, travelled to Tauris, together with his faithful friend Pylades, in order to steal the famous cult statue of the goddess Artemis. The priestess of the temple that housed the wooden statue was none other than Iphigenia, Orestes' sister, whom Artemis had secretly brought to Tauris years earlier. Orestes did not know that she was still alive. Before the friends could put their wicked plan into action, however, they were found out and taken prisoner. Orestes and Pylades were led along to the temple, where they were to be sacrificed - the fate of all strangers who set foot on Tauris. Iphigenia took pity on them and decided that one of them would be allowed to live, leaving it to the men to decide who should be sacrificed. Although each wanted to die to save the other, they finally decided that Orestes would be sacrificed. At the moment he was to die, however, Iphigenia recognized her brother. The sacrificial banquet was called off, and Iphigenia and the young men fled to Mycenae, taking the statue of Artemis with them. Lastman portrayed this complicated story in a skilful manner. The illumination and colour scheme were used to set off the protagonists from the dozen of supporting actors. Typical of Lastman's early work is the crowded composition, in which throngs of people can be distinguished far into the background. They form a colourful procession of spectators, winding their way from the temple to the altar, carrying armour, human heads on poles and the wooden statue of Artemis.
Author: LASTMAN, Pieter Pietersz. Title: Orestes and Pylades Disputing at the Altar Time-line: 1601-1650 School: Dutch Form: painting Type: mythological |
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